They are light as a feather and offer good long-term wearing comfort, although in warmer temperatures you might start to sweat under the synthetic leather pads. The headphones can be used independently of the software. The bass reproduction is supported by a separate bass reflex system (APS/Acoustic Ported Subsonic). The dynamic construction uses beryllium-coated drivers driven by neodymium magnets. The headband is adjustable in length, and the earcups can be tilted and rotated by 90 degrees, although it feels like they rotate in the wrong direction. The headphones are made of plastic and padded with imitation leather. A matching plug adapter for the 6.3 mm format and a protective case for safe storage are included in the package. The matte black, closed-back, over-ear headphones with a single-sided, replaceable cable with a 3.5 mm jack connection if required, arrive in an attractive matte black cardboard slipcase. The product tackles the problem of the lack of spatial sound through headphones and the transfer of audio tasks between loudspeakers and headphones. This is where the US manufacturer Steven Slate Audio comes in with its VSX system – a combination of hardware and software. This is hard enough without headphones because every loudspeaker and room sounds different, which is why professional recording studios have acoustically optimised control rooms that make such reliability possible. Consequently, the perception of reproduced sound is different.įor sound engineers, this is a real problem, as they want to make confident decisions when evaluating and processing sound sources, which should subsequently also prove to be correct on other output systems. For example, there is forward localisation of sound sources, crosstalk between stereo channels and the defining influence of room acoustics. Music reproduction via loudspeakers differs from headphones in essential ways.
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